Friday, September 12, 2014

New York State Learning Standards and Core Curriculum

The Part 100 Regulations of the Commissioner of Education require that every public school student in New York State be provided an opportunity to receive instruction in order to achieve the New York State Learning Standards.  All students should receive an engaging and developmentally appropriate education. Schools and parents are encouraged to collaborate to ensure that all students graduate from high school ready for work, higher education, and citizenship.  In order to earn a high school diploma, a student must have a minimum of 22 specific high school credits and pass 5 identified Regents Examinations.    
The NY State Learning Standards and core curriculum guidance documents are the foundation upon which State assessments are developed and aligned.  Accountability status for each local school and district is based on State assessment scores.
The State’s responsibility is to set student learning expectations for what all students should know and be able to do as a result of skilled instruction. It is the responsibility of each local school district to develop curricula based on the NYS Learning Standards, select textbooks and instructional materials, develop pacing charts for learning (scope and sequence), and provide professional development to ensure that all students have access to instruction leading to attainment of these learning standards.......more 

    Thursday, July 17, 2014

    Music Courses

    • Other than some music history and music business courses, Berklee does not award transfer credits for music courses.
    • If you feel you have expertise in a music course, you may speak with the relevant department chair at Berklee about the possibility of credit by exam.

    Monday, June 23, 2014

    The Benefits of Music Education

    Whether your child is the next Beyonce or more likely to sing her solos in the shower, she is bound to benefit from some form of music education. Research shows that learning the do-re-mis can help children excel in ways beyond the basic ABCs.
    More Than Just Music
    Research has found that learning music facilitates learning other subjects and enhances skills that children inevitably use in other areas. “A music-rich experience for children of singing, listening and moving is really bringing a very serious benefit to children as they progress into more formal learning,” says Mary Luehrisen, executive director of the National Association of Music Merchants (NAMM) Foundation, a not-for-profit association that promotes the benefits of making music.
    Making music involves more than the voice or fingers playing an instrument; a child learning about music has to tap into multiple skill sets, often simultaneously. For instance, people use their ears and eyes, as well as large and small muscles, says Kenneth Guilmartin, cofounder of Music Together, an early childhood music development program for infants through kindergarteners that involves parents or caregivers in the classes.
    “Music learning supports all learning. Not that Mozart makes you smarter, but it’s a very integrating, stimulating pastime or activity,” Guilmartin says.
    Language Development
    “When you look at children ages two to nine, one of the breakthroughs in that area is music’s benefit for language development, which is so important at that stage,” says Luehrisen. While children come into the world ready to decode sounds and words, music education helps enhance those natural abilities. “Growing up in a musically rich environment is often advantageous for children’s language development,” she says. But Luehrisen adds that those inborn capacities need to be “reinforced, practiced, celebrated,” which can be done at home or in a more formal music education setting.
    According to the Children’s Music Workshop, the effect of music education on language development can be seen in the brain. “Recent studies have clearly indicated that musical training physically develops the part of the left side of the brain known to be involved with processing language, and can actually wire the brain’s circuits in specific ways. Linking familiar songs to new information can also help imprint information on young minds,” the group claims.
    This relationship between music and language development is also socially advantageous to young children. “The development of language over time tends to enhance parts of the brain that help process music,” says Dr. Kyle Pruett, clinical professor of child psychiatry at Yale School of Medicine and a practicing musician. “Language competence is at the root of social competence. Musical experience strengthens the capacity to be verbally competent.”
    Increased IQ
    A study by E. Glenn Schellenberg at the University of Toronto at Mississauga, as published in a 2004 issue of Psychological Science, found a small increase in the IQs of six-year-olds who were given weekly voice and piano lessons. Schellenberg provided nine months of piano and voice lessons to a dozen six-year-olds, drama lessons (to see if exposure to arts in general versus just music had an effect) to a second group of six-year-olds, and no lessons to a third group. The children’s IQs were tested before entering the first grade, then again before entering the second grade.
    Surprisingly, the children who were given music lessons over the school year tested on average three IQ points higher than the other groups. The drama group didn’t have the same increase in IQ, but did experience increased social behavior benefits not seen in the music-only group.
    The Brain Works Harder
    Research indicates the brain of a musician, even a young one, works differently than that of a nonmusician. “There’s some good neuroscience research that children involved in music have larger growth of neural activity than people not in music training. When you’re a musician and you’re playing an instrument, you have to be using more of your brain,” says Dr. Eric Rasmussen, chair of the Early Childhood Music Department at the Peabody Preparatory of The Johns Hopkins University, where he teaches a specialized music curriculum for children aged two months to nine years.
    In fact, a study led by Ellen Winner, professor of psychology at Boston College, and Gottfried Schlaug, professor of neurology at Beth Israel Deaconess Medical Center and Harvard Medical School, found changes in the brain images of children who underwent 15 months of weekly music instruction and practice. The students in the study who received music instruction had improved sound discrimination and fine motor tasks, and brain imaging showed changes to the networks in the brain associated with those abilities, according to the Dana Foundation, a private philanthropic organization that supports brain research.
    Spatial-Temporal Skills
    Research has also found a causal link between music and spatial intelligence, which means that understanding music can help children visualize various elements that should go together, like they would do when solving a math problem.
    “We have some pretty good data that music instruction does reliably improve spatial-temporal skills in children over time,” explains Pruett, who helped found the Performing Arts Medicine Association. These skills come into play in solving multistep problems one would encounter in architecture, engineering, math, art, gaming, and especially working with computers.
    Improved Test Scores
    A study published in 2007 by Christopher Johnson, professor of music education and music therapy at the University of Kansas, revealed that students in elementary schools with superior music education programs scored around 22 percent higher in English and 20 percent higher in math scores on standardized tests, compared to schools with low-quality music programs, regardless of socioeconomic disparities among the schools or school districts. Johnson compares the concentration that music training requires to the focus needed to perform well on a standardized test.
    Aside from test score results, Johnson’s study highlights the positive effects that a quality music education can have on a young child’s success. Luehrisen explains this psychological phenomenon in two sentences: “Schools that have rigorous programs and high-quality music and arts teachers probably have high-quality teachers in other areas. If you have an environment where there are a lot of people doing creative, smart, great things, joyful things, even people who aren’t doing that have a tendency to go up and do better.”
    And it doesn’t end there: along with better performance results on concentration-based tasks, music training can help with basic memory recall. “Formal training in music is also associated with other cognitive strengths such as verbal recall proficiency,” Pruett says. “People who have had formal musical training tend to be pretty good at remembering verbal information stored in memory.”
    Being Musical
    Music can improve your child’ abilities in learning and other nonmusic tasks, but it’s important to understand that music does not make one smarter. As Pruett explains, the many intrinsic benefits to music education include being disciplined, learning a skill, being part of the music world, managing performance, being part of something you can be proud of, and even struggling with a less than perfect teacher.
    “It’s important not to oversell how smart music can make you,” Pruett says. “Music makes your kid interesting and happy, and smart will come later. It enriches his or her appetite for things that bring you pleasure and for the friends you meet.”
    While parents may hope that enrolling their child in a music program will make her a better student, the primary reasons to provide your child with a musical education should be to help them become more musical, to appreciate all aspects of music, and to respect the process of learning an instrument or learning to sing, which is valuable on its own merit.
    “There is a massive benefit from being musical that we don’t understand, but it’s individual. Music is for music’s sake,” Rasmussen says. “The benefit of music education for me is about being musical. It gives you have a better understanding of yourself. The horizons are higher when you are involved in music,” he adds. “Your understanding of art and the world, and how you can think and express yourself, are enhanced.”

    Tuesday, April 1, 2014

    Fundamentals of Music Theory

    Contrary to what some people may say learning music theory does not reduce your ability to enjoy music. In fact you may enjoy music even more after you learn some theory because the more you know about how music works the more you will be able to do as a musician.
    There are many reasons to study music theory but the top reasons are:
    1. You will be a better performer. - If you don't know much music theory and you are playing some music and you encounter a passage that has the notes C, E, and G, you would have to mentally process those three notes separately, and this will slow down your ability to perform. If a musician who knows music theory plays the same passage they would instantly recognize that the notes C, E, and G make up a C Major chord and they would play those notes more easily because it took less mental effort to understand the music. Music theory makes learning, practicing and performing much easier.

    2. You will have more options as a musician. - All musical activities will be much easier. Performing, composing, improvising, arranging, teaching music, or getting a music degree will be much easier if you know music theory.

    Tuesday, March 25, 2014

    A Mother's Love: An Interview with Martha Wainwright

    In November 2009, Martha Wainwright gave birth to her first child in London. After a difficult and life-threatening labour, her son spent the first few weeks of life in an incubator. At the same time, 3,000 miles away in Montreal, Wainwright's mother, the acclaimed folk singer Kate McGarrigle, battled against the sarcoma which ravaged her body. Kate died in January 2010.
    It is against this intense emotional backdrop - becoming a mother and losing her mother in quick succession - that Wainwright's astonishing album, Come Home To Mama, was created. The new songs are a roller coaster of grief, anger, pain and joy. Produced by Yuka C. Honda (as opposed the usual choice of Martha's husband, Brad Albetta) and featuring Wilco's Nels Cline on guitar,Come Home To Mama also adds Thomas Bartlett's synths and a sprinkling of looped beats to Wainwright's extraordinary vocal range and rabidly honest words.

    Friday, March 21, 2014

    Music

    A painter paints pictures on canvas.  But musicians paint their pictures on silence.  ~Leopold Stokowski


    Music washes away from the soul the dust of everyday life.  ~Berthold Auerbach


    All deep things are song.  It seems somehow the very central essence of us, song; as if all the rest were but wrappages and hulls!  ~Thomas Carlyle


    If the King loves music, it is well with the land.  ~Mencius


    Without music life would be a mistake.  ~Friedrich Wilhelm Nietzsche


    Take a music bath once or twice a week for a few seasons.  You will find it is to the soul what a water bath is to the body.  ~Oliver Wendell Holmes


    If a composer could say what he had to say in words he would not bother trying to say it in music.  ~Gustav Mahler


    Why waste money on psychotherapy when you can listen to the B Minor Mass?  ~Michael Torke

    Sunday, March 2, 2014

    'I'm getting out from the shadows'

    P Albetta
    Bass Player Recording/Touring Credits:


    - Rufus Wainwright
    - Kate and Anna McGarrigle
    - Sean Lennon
    - Teddy Thompson
    - Martha Wainwright
    - Pete Townsend 
    - Linda Thompson
    - Willie Nile
    - Freedy Johnston 
    - Pheobe Snow
    - Natalie Grant
    - Robert Lamm (Chicago) 
    - Ben Lee
    - Jennifer Marks
    - Mary Me Jane
    - Marylees Corvette
    - Surfing Moses
    - Bret Reily
    - Amy Rigby
    - Jenni Muldour
    - Emmylou Harris
    - Donald Fagen
    - Stan Harrison
    - Serena Jost
    - Royal 7
    - Money Shot
    - Ed Harcourt
    - Beth Orton
    - Sara Wendt
    - My Fine Friend Phil
    - Hank Kim
    - My Friend Phil
    - RIch Freeth
    - Preston Smith
    Production/Engineering Credits:

    * engineer
    ~ mix engineer
    + producer


    - Martha Wainwright *+ ~
    - Teddy Thompson * + ~
    - Rufus Wainwright *
    - Angus and Julia Stone *
    - Freedy Johnston * +
    - Willie Nile +
    - PM Dawn +
    - The Honey Brothers * + ~
    - Justin Bond * ~
    - Ana Silvera * + ~
    - Kami Thompson *+ ~
    - Linda Draper * + ~
    - Jon Regen * ~
    - Serena Jost * + ~
    - Kim Garrison * + ~
    - Addie Brownlee * + ~
    - Garth Hudson +
    - Jennifer Marks * + ~
    - Pela +
    - Lisa Redford * + ~
    - Sad Little Stars * + ~
    - Amanda Thorpe * + ~
    - Atoosa * + ~
    - Edible Red +
    - Tessa Perry + 
    - Anna Jarosz * +
    - Joel Stein * +
    - DePoet *+
    - Sasha Zand *
    - The Ramblers *